My sentiments are reverberated by a real writer. How interesting...
Cutting-edge challenge
In the wake of drying up money for the arts, the local scene seeks to revive its pioneer spirit
By Felicia Feaster
Published 05.16.2007
http://atlanta.creativeloafing.com/gyrobase/Content?oid=244876
First the good news.
There are more galleries, more museums and more theaters in
In population, metro
But is bigger always better when it comes to the arts?
And so comes the bad news: With that growth,
Louise Shaw is a key figure in the local art scene's institutional memory, having served as executive director of the
"These were very radical, heady times," says Shaw, who came to Atlanta in 1973 and was around when some of the city's cultural stalwarts were born: the important artist-run Nexus (1973), the Nexus Press (1977), the city's Bureau of Cultural Affairs (1974), the beginnings of local arts criticism, IMAGE Film & Video (1976), the Center for Puppetry Arts (1978) and 7 Stages Theatre (1979).
Laura Lieberman came to
"The City's Bureau of Cultural Affairs was creating a strong arts community using federal dollars to employ artists to work on community projects like Nexus, the Atlanta Art Workers Coalition and the Atlanta Women's Art Collective," she says. "It was an exciting and progressive time, politically and culturally."
Julia A. Fenton remembers an "idyllic time" for the visual arts when she moved to
"It was like a small town, really," says Robert Cheatham, Eyedrum Gallery's executive director, who became involved in the arts scene in the '70s.
If that decade was all about the city's artist mavericks and an important culture-affirming art mayor establishing the cultural firmament we now take for granted, the '80s and '90s saw a bolstering of the city's commitment to contemporary art both locally and nationally.
In the ‘80s under the helm of progressive Director Gudmund Vigtel, the
The construction in 1983 of Richard Meier’s High Museum of Art building undoubtedly played a part in jumping membership up from 6,000 in 1972 to more than 45,000 today. And the construction in 1985 of the Michael C. Carlos Museum at Emory by another notable architect, Michael Graves, along with the debut in 1989 of the Atlanta International Museum of Art and Design (now the Museum of Design Atlanta), also solidified the prominence of museum culture in the city.
There have been some positive signs of improvement in the city’s art scene more recently, including the unveiling in 2005 of the High’s Renzo Piano expansion, the debut in 2002 of the Museum of Contemporary Art of Georgia devoted to Georgia artists, the rise of the Castleberry Hill arts district, and the birth of important alternative galleries such as Eyedrum and Young Blood.
But for all the progress the
In some ways,
And the recent disclosure that the city's daily, the Atlanta Journal-Constitution, will no longer have individual reporters devoted to the classical-music and visual-arts beats gives an indication that
Maybe what made
"I think
And to see that, "all you have to do is go to other cities that don't have what we have here."
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